Blogs
Cathedral
I walked alone with my travel group on some Parisian street – my friends lost long ago in the tapestry room of the Louvre. I had abandoned them all and wandered alone through the museum, aimlessly past more and more paintings from movements that at fifteen I couldn’t even name, until I stumbled upon the few Impressionist paintings. I sat down in the empty room in front of a Monet and studied it for as long as I thought was proper before moving on to the next one.
Now I was in front of the Notre Dame, filing inside single file with the rest of my group. Now I was behind Jack, who was three years older; mysterious; beyond my comprehension. He walked slowly through the dim light of the church stopping to observe each statue, each religious relic, with what seemed to be genuine interest. I imitated his movements, faking absorption. He stopped to take a picture of one statue and I waited. His face wrinkled with frustration as he tried to take the photo a few times with shaky results. “Will you do me a favor?” he asked.
“Sure,” I said unsteadily.
“Okay, stand right here.” He pointed to a spot in front of where he was standing and I quickly moved.
“Stand still,” he said as he balanced the camera on my head. I held my breath and became a makeshift tripod. A second later – “Thanks, Sophie,” and we walk on.
At the front of the cathedral stood a Jesus statue hanging from a cross and everyone pushed softly and politely to get a better look. Jack and I made our way to a pew and sat down. When he stood up abruptly and left, I stayed seated. Around me everyone was quiet; some were praying and some were emotional. Everyone seemed to be feeling something. I sat in fake reverence for some time, trying to force something inside me to connect to this ancient building I knew nothing about. Then I left too.
Outside the sunlight blinded my eyes that had quickly grown accustomed to the stained-glass window light of just another cathedral. I saw my friends sitting on a bench and rejoined them, watching Jack from afar.
What I remember most clearly about Paris is the view from our room of other people’s windows. I remember their hanging laundry, warm light, and foreign voices. I remember the ornate subways and running to catch the last train after the Eiffel Tower. I remember the merchants on the street selling tin signs and postcards. I remember the heat and the cigarettes smoked in our underwear. I remember the Seine and the dead cat floating in its currents. I remember a van covered in graffiti. And I remember trying to catch up with Jack on some Parisian street, the dash of gray in the hair on the back of his head, and the feeling of being lost.


The human tripod
The picture of your narrator getting turned into a human tripod by the "older man" she's apparently infatuated with is too perfect—funny, sad, memorable for sure—and the spiritual angle of the cathedral setting and the Jesus statue add yet another dimension to this, like an ironic take on the theme of worship or something. The prose style reminds me a little of Raymond Carver, who also has a story (and book) called "Cathedral," but it's about something completely different.