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Guthrie and Romanticism
The only things I knew about Woody Guthrie before reading that excerpt from his book was that his music was hugely influential on Bruce Springsteen and Bob Dylan, he wrote “This Land is Your Land,” and that he had THIS MACHINE KILLS FASCISTS written on his guitar, which is pretty damn cool. Those facts on their own was enough for me to think Guthrie was a pretty good dude. That he wrote a book about traveling and living the hard-working life in the 1940s that was turned into a movie thirty years later starring David Carradine – a fun little Grapes of Wrath connection there – came as quite a surprise to me. A pleasant surprise, though. Guthrie has an honest and folksy style to his writing that made the chapter really easy and exciting to read. His words also give insight into his mindset as an artist, as a folk singer and a man of the people. This chapter sees Guthrie making his way west to California, after spending about 200 pages knocking around and living the honest life in his native Midwest. The hardships faced by Guthrie on his trip seem to be characteristic of that iconic pilgrimage, at least compared to the other texts we’ve read. Many questions quickly arose: Where can I find food to eat? Where can I find a place to sleep? How can I make sure I make it out there safely? And where can I go when I get there? Imagining these words coming from the mouth of the folk legend gives them a clear romantic quality, and had me thinking about which passages or lines of dialogue might best be boiled down to a simple tune, a song that might rally the struggling masses of the Depression. I searched out a few Guthrie recordings (besides “This Land is Your Land”) and found one, “Jesus Christ,” to be particularly representative of that romanticism. The song depicts Jesus as a wise and hard-working man, whose followers worked for their keep and were brave to be following him, who was sentenced to death by bankers, preachers and soldiers for eschewing wealth and advocating that the rich give to the poor. It’s not hard to see that concept, Christ as an everyman, just another member of the proletariat, getting some people excited at a time when being a poor member of the working class might have left many with no hope.


The Wandering Minstrel
I too knew little about Woody Guthrie before our readings—I just thought of him as a musician, mostly appreciating him for the strong influence he had on Bob Dylan. I was quite surprised to see him amongst the ragged bunch of wanderers and hoboes we’ve been studying. His perspective as a folk song writer makes him very unique in this group; rather than looking at the situation from an ivory tower, or writing books that are published for the educated masses, he speaks to the down-on-their-luck masses in the humble language of folk music. I studied Guthrie very briefly through a music history class a couple years ago, and we discussed the power music has to bring a group of people together in solidarity. Music possesses this uniting force possibly better than anything else, and we’ve seen throughout all the readings and videos that campfire songs and folk singing were important parts of hobo life. His perspective as a musician on the road lets us see hobo life from a new perspective.